But perhaps the greatest fantasy is the clear coastal distinction the show depicts, a distinction that in real life is fast fading away.īeck is blissfully unaware of Joe’s creeping - and soon enough, the two are dating, with him working double time behind the scenes to ensure that every aspect of their relationship stays within his control. Joe works what has to be an hourly wage job in one of the most expensive cities in the country, and he never seems to worry about making rent on his spacious Franklin Hills one-bedroom.
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Like most television, You is full of fantasy. Between the totalizing sameness of social media, rising rents, and the increasing migration between the two cities as publishing and magazine budgets shrink and everyone tries to get a job in a writers room before the Golden Age of Television ends, the two cities once considered polar opposites are becoming more and more like each other as they both fill up with algorithm-approved chains that have nothing to do with either’s local culture. Instead, what’s missing is an acknowledgment that for a millennial like Joe - a white guy who knows his Didion and doesn’t balk at the price of a green juice - moving between the two coasts wouldn’t actually be much of a culture shock. But on the whole, it’s hard to say that the wellness- and fame-focused portrayal of LA is any more of a caricature than the wealth and status–obsessed New York characters in Season 1.
They do a fair job of it - though having their LA native character Love Quinn (Victoria Pedretti) quote the late Pulitzer Prize–winning food critic Jonathan Gold on the subject of tacos isn’t exactly the kind of locals-only shibboleth that You seems to think it is.
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that gets portrayed in TV and film most of the time,” You’s executive producer Sera Gamble told the LA Times recently, “and we certainly start the season from the perspective of someone who’s looking at it that way.” So she and the rest of the You team tried to make sure that “as the season goes on, we start to peel back the layers and show you the stuff that’s really great here as well.” As the New York Times is reminded every time it tries (and fails) to cover Los Angeles, this city is hard to know, and its residents are heartily sick of being reduced to broad stereotypes. The team behind You was aware this would be a difficult feat to pull off. Its soapy satire is aiming to skewer the city’s vegans, desperate actors, and therapy devotees - just as it took aim at New York’s literary pretensions and self-centered heiresses in Season 1. More than that, though, this is the moment when You declares that it’s an LA show now. This moment is meant as a knowing wink, a little flirt with You’s Angeleno viewers, but it also serves to let us know that Joe has made the transition from the die-hard New Yorker we met in Season 1 - a man who once complained about having to follow a girl he’s stalking to Greenpoint - to a guy who finally understands what it means when someone says you’re gonna have to take the 101 to the 170. Midway through the second episode of the second season of You, Netflix’s thriller about a handsome sociopath who likes to stalk his love interests, the show’s main character, Joe Goldberg (Penn Badgley, all doe eyes and cheekbones), cries out despairingly, “I drove to the Valley for you!”
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